Selections/Exhibitions of Original Works

J = Juried selection; I = invited selection; C = curated by myself/colleagues; italics = attendance required but funding not available

 

2017

  • Seattle, WA, Concert at the Chapel Performance Space, Seattle, May 25-26 (Meru: Tracing Earth for flute and electronic sounds, Linda Antas, flute) [C]
  • St. Cloud, MN, SEAMUS National Conference, St. Cloud State University, April 20-22(Meru: Tracing Earth for flute and electronics, Linda Antas, flute) [J]

 

2016

  • Maynooth, Ireland, Csound at 30, National Univeristy of Ireland, Maynooth, November 26 (All That Glitters and Goes Bump in the Night) [J]
  • Fredericksburg, VA, Electroacoustic Barn Dance Festival, University of Mary Washington, November 10-12 (Meru: Tracing Earth for flute and electronics) [J]
  • Bozeman, MT, Eric Mandat in Recital, Montana State University, September 7, (Amavasaya for bass clarinet and computer-realized audio, Dr. Eric Mandat, bass clarinet) [C]
  • Moscow, ID, Montana-Idaho Clarinet Festival, University of Idaho Lionel Hampton School of Music, September 10, (Amavasaya for bass clarinet and computer-realized audio, Dr. Eric Mandat, bass clarinet) [C]
  • Suzhou, China, Soochow University (Iridescence) [I]
  • Columbus, GA, International Double Reed Society Conference, Schwob School of Music Columbus State University, June 26-30 (Amavasaya, Ryan Hare, bassoon) [J]
  • Kalispell, MT, Big Sky Alive Festival, Premiere of GPS-based composition, Meru: Tracing Earth for flute and computer-realized soun and additional works, masterclass, June 17-18 [I]
  • Norman, OK, University of Oklahoma, April 16 (Iridescence) [I]
  • Statesboro, GA, SEAMUS National Conference, Georgia Southern University, March 26 - 28,(Amavasaya) [J]

 

2015

  • Fredericksburg, VA, Electroacoustic Barn Dance Festival, University of Mary Washington, October 1 - 3 (Still Standing Still) [J]
  • Denton, Texas, International Computer Music Conference, University of North Texas, September 25-October 1 (All That Glitters and Goes Bump in the Night) [J]
  • Jacksonville, FL, Root Signals Festival , Jacksonville University, September 10 -12 (All That Glitters and Goes Bump in the Night) [J]
  • Crest, France, Festival Futura 2015, August 20-22 (Iridescence) [J]
  • Toronto, Ontario Canada Toronto International Electroacoustic Symposium, August 19-23 (All That Glitters and Goes Bump in the Night) [J]
  • Toronto, Ontario Canada Toronto International Electroacoustic Symposium, August 19-23 (Iridescence) [J]
  • New York, NY, New York City Electroacoustic Music Festival 2015, June 21-28 (All That Glitters and Goes Bump in the Night) [J]
  • Leicester, United Kingdom, Visible Bits, Audible Bytes 2015, April 22 (All That Glitters and Goes Bump in the Night) [I]
  • Blacksburg, VA, SEAMUS (Society for Electroacoustic Music in the United States) National Conference, March 26-28, (All That Glitters and Goes Bump in the Night) [J]
  • New York, NY, New Nodes Series, “Up to Upstate,” March 26 (All That Glitters and Goes Bump in the Night) [I]
  • Athens, GA, Slingshot Festival, March 26-28, (All That Glitters and Goes Bump in the Night) [J]
  • World-wide Broadcast, ART x FM, Muddle Instead of Music, January 28 (Iridescence) [I]
  • Bozeman, MT, Helen E. Copeland Gallery installation January 26-30, College of Arts and Architecture Research Day (All That Glitters and Goes Bump in the Night) [J]
  • Bangalore, India, Access Code Short Film Festival, Date TBA (All That Glitters and Goes Bump in the Night) [J]

 

2014

  • Granada, Spain, XXI Festival Internacional de Música Electroacústica, Conservatorio Superior de Música Joaquin Rodrigo, December 11 (All That Glitters and Goes Bump in the Night) [J]
  • New York, NY, New Music Concert, The New School, December 2 (Windhorse for flute and live processing (SuperCollider)) [I]
  • Fredericksburg, VA, Electroacoustic Barn Dance Festival, University of Mary Washington, November 15 (All That Glitters and Goes Bump in the Night) [J]
  • Muncie, IN, EM|Two Concert, Ball State University, November 11 (All That Glitters and Goes Bump in the Night) [I]
  • Bozeman, MT, International Alliance of Women in Music Concert, Montana State University, Howard Hall, October 26 (All That Glitters and Goes Bump in the Night) [I]
  • Toronto, Canada, New Adventures in Sound Art Festival, NAISA Space, October 25 (Iridescence) [J]
  • Romeoville, IL, Electronic Music Midwest, Lewis University, October 17 (All That Glitters and Goes Bump in the Night) [J]
  • Bozeman, MT, Multimedia Series Concert, Howard Hall, October 7 (All That Glitters and Goes Bump in the Night) [C]
  • Canton, OH, Canton Film Festival, Canton Palace Theatre, October 4, (All That Glitters and Goes Bump in the Night) [J]
  • Athens, Greece, International Computer Music Association/Sound and Music Computing Joint Annual Conference, Onassis Cultural Center Upper Hall, September 19 (Iridescence) [J / 600+ submissions]
  • Birmingham, AL, Birmingham New Music Festival, University of Alabama at Birmingham's Hulsey Recital Hall, August 23 [J]
  • Bozeman, MT, University Film and Video Association Conference, Reid Hall, Montana State University, August 7 (All That Glitters and Goes Bump in the Night) [J]
  • New York, NY, New York City Electroacoustic Music Festival 2014, New York, NY, June (Iridescence) [J]
  • San Diego, CA Last Friday Listening Room, University of California, San Diego, April 25 (Iridescence) [J]
  • San Francisco, CA, Sweet Thunder Festival of Electro-Acoustic Music, Fort Mason Center, April 24 – 27 (Iridescence) [J]
  • Belfast, Northern Ireland, Sonorities Festival 2014, Sonic Arts Research Center, Queen’s University, Belfast, April 30 – May 4 (Iridescence) [J / ~200 submissions
  • Middletown, CT, Society for Electroacoustic Music in the United States National Conference, Connecticut Wesleyan University, March 26-29. Iridescence for computer-realized audio [J]
  • Muncie, IN, Society of Composers, Incorporated National Conference, Ball State University, March 19-22 Iridescence [J / 500+ submissions]
  • Muncie, IN, EM Three Concert Series, Ball State University, February 10. Iridescence for computer-realized audio [I]
  • Bozeman, MT, Electronic Music Midwest Mini-Festival, Howard Hall, February 22 (Iridescence) [C]

 

2013

  • Prague, Czech Republic, Musica Nova Winners’ Concert, December 17. Iridescence for computer-realized audio [J]
  • Orangeburg, SC, Electronic Music Concert Series, South Carolina State University, November 19. Iridescence for computer-realized audio [I]
  • Fredericksburg, VA, Electroacoustic Barn Dance Festival, University of Mary Washington, November 9. Iridescence for computer-realized audio [J]
  • Boston, MA, Textures, Boston New Music Initiative Concert Series juried selection, Ryles Jazz Club, October 31 Iridescence for computer-realized audio [J]
  • Kansas City, KS, Electronic Music Midwest, Kansas City Kansas Community College, October 24-26. Iridescence for computer-realized multiple-channel audio [J]
  • Lexington, KY, Studio 300 Digital Art and Music Festival, Transylvania University, October 4-5. Windhorse for flute and live processing (SuperCollider) and Artist’s Talk (Linda Antas, composer/flutist/presenter) [J – piece; I – Artist’s Talk
  • Bozeman, MT, Sunday Night Multimedia Series, Montana State University, Reynolds Recital Hall, September 22. Iridescnce for computer-realized sound [I]
  • Cody, WY, Wyoming Flute Day, Cody High School, Invited presenter and performer, September 21. [I]

 

2012

  • Bozeman, MT, Presidents Fine Arts Series, Music to Look At: The Composition as Visual Art, March 18-April 30, Dean's Gallery. Score excerpts of Prologue Postlude, A River from the Walls, and color spectrogram of Still Standing Still along with writings on the selected visuals
  • Fredericksburg, VA, Electroacoustic Barn Dance Festival, University of Mary Washington, November 9. Windhorse for flute and live processing (SuperCollider) (Linda Antas, composer/flutist)
  • Bozeman, MT, Sunday Night Multimedia Series, Montana State University, Reynolds Recital Hall, October 7. Windhorse for flute and live processing (SuperCollider) (Linda Antas, composer/flutist)
  • Romeoville, IL, Electronic Music Midwest, Lewis University, Philip Lynch Theatre, October 13, Windhorse for flute and live processing (SuperCollider) (Linda Antas, composer/flutist)
  • Missoula, MT, Mountain Computer Music Festival, University of Montana, September 7, Windhorse for flute and live processing (SuperCollider) (Linda Antas, composer/flutist)
  • St. Joseph, MO, Potter Hall Theater, Digital Arts Showcase Concert, March 27. world premiere of Windhorse for flute and live processing (SuperCollider) and Out of volumes, motions, spaces for flute, guitar, and vibraphone, with live laptop processing (Live)

 

2011

  • Miami, FL, Florida International University, SEAMUS National Conference, January 20-22. Contact for computer-realized multi-channel audio
  • Pahrump, NV, private engagement, Rings for flute and digital sounds commission premiere

 

2010

  • Flushing, NY, Aaron Copland School of Music at Queens College, December 9. Contact for computer-realized multi-channel audio
  • Romeoville, IL, Lewis University, Philip Lynch Theatre, October 16. World premiere of Contact for computer-realized multi-channel audio
  • Saint Joseph, MO, Missouri Western State University, Potter Hall Theatre, April 20. A concert of compositions for acoustic, electroacousic, and mixed media works by Antas, Messiaen, Karpen, Eichenbaum, and Frank Martin. (Linda Antas, composer/flutist, Nathanael May, piano, and Susan Carter, soprano)
  • San Antonio, TX, University of Texas-San Antonio Theatre, March 12. World premiere of L'An Trentième de mon Âge for flute and soprano (Linda Antas, flute, Susan Carter, soprano)

 

2009

  • Miami, FL, Harold Golen Gallery, Twelve Nights Electronic Music and Art Festival, December 4. Still Standing Still for computer-realized multi-channel audio
  • Camden, NJ, Rutgers University, Music from the Weave, November 10. Still Standing Still for computer-realized multi-channel audio (stereo mix required)
  • Bloomington, IL, Illinois State University, March 25. Flowstone, Dr. Eric Mandat, clarinet
  • Carbondale, IL, Southern Illinois University, Outside the Box Festival, March 25-April 11 Flowstone, Altgeld Chamber Players, Dr. Eric Mandat, clarinet
  • Saint Joseph, MO, Missouri Western State University, Potter Hall Theatre, March 3-6 Music and Sound Design for Marlowe, Don Lillie, Playwright, Alan Arriveé, Director

 

2008

  • Oshkosh, WI, University of Wisconsin Oshkosh, UW Oshkosh Wired, November 11. Still Standing Still for computer-realized multi-channel audio
  • Romeoville, IL, Lewis University, October 17. Still Standing Still for computer-realized multi-channel audio
  • St. Joseph, MO, Eric Mandat in Recital, September 18. Flowstone (Eric P. Mandat, clarinet)
  • Belfast, Northern Ireland, Queen’s University. International Computer Music Conference, August 26. Still Standing Still for computer-realized multi-channel audio
  • Salt Lake City, UT, Society for Electroacoustic Music in the United States (SEAMUS) Conference, University of Utah, April 3. Stand
  • Eindhoven, Netherlands. Van Abbemuseum, March 16. A River From the Walls (Helen Bledsoe, flute)

 

2007

  • Albuquerque, NM, National Flute Association Convention, August 9-12. A River From the Walls (Sarah Louise Bassingthwaighte, flute)
  • Annandale-on-Hudson, NY, The Now and Present Flute Seminar Opening Concert, June 12. A River From the Walls (Patricia Spencer, flute)
  • Seattle, WA, Meany Theater, University of Washington, April 10. Stand on My Chair for computer-realized multi-channel audio
  • Seattle, WA, University of Washington, Brechemin Auditorium, March 10. A River from the Walls (Hsiao-Chieh Lin, flute)

 

2006

  • Padova, Italy, Teatro Maddalene, December 17. “Musiche di Linda Antas e Francis Dhomont”

 

2005

  • Spokane, Washington, Kimbrough Concert Hall, February 17. Still, Yet, Again

 

2004

  • Urbana, IL, Krannert Center for the Performing Arts, Martirano Award Concert, September 28. A River from the Walls (Linda Antas, flute)
  • College Park, MD, University of Maryland. April 28. A River from the Walls (Jane Rigler, flute)

 

2003

  • Seattle, WA, University of Washington, Brechemin Auditorium, January 21. Untitled for flute, clarinet, bassoon, vibraphone, violin, and 'cello, performed by the Contemporary Chamber Composers and Players (Linda Antas, conductor and flutist), as part of a lecture/concert series honoring Dame Myra Hess

 

2002

  • Gothenberg, Sweden, International Computer Music Conference, Gothenburg Concert Hall, September 21. Sueño Sin Palabras for string-quartet and computer-realized sound (Ars Nova Quartet)
  • Seattle, WA, UW Summer Arts Festival, “Digital Fusions” concert, Meany Theater, July 17. Sueño Sin Palabras (Strange, Rynes, violins; Gaudette, viola; Krentz, 'cello)
  • Seattle, WA, doctoral recital, University of Washington, Brechemin Auditorium, July 27. Sueño Sin Palabras, A River From the Walls for flute and computer-realized sounds, and Still, Yet, Again for computer-generated sounds
  • Malpartida de Cáceres, Spain, III Ciclo de Música Contemporánea, Museo Vostell-Malpartida, December 13 - 15. A River From the Walls (Jane Rigler, flute)
  • Washington, D.C., 2002 National Flute Association Convention, August 16. A River From the Walls (Christine Perea, flute)
  • U.S. West Coast tour including (January 2002) California Institute of the Arts; UC Riverside; San Diego New Music; Noise Series at the Athenaeum, La Jolla; UC Irvine; TUVA, Berkeley; Mills College, Oakland; (December 2001) Pasadena; and Nonsequitur, The Outpost, Albuquerque, NM. A River From the Walls (Jane Rigler, flute)

 

2001

  • Sarvar, Hungary, International Summer Meeting of Electroacoustic Music, Nádasdy Vár (the Castle), July 27. A River From the Walls (Matuz István, flute)
  • Pisa, Italy, New York University's “Music and Dance in Pisa, Italy,” July 2-21. A River From the Walls
  • Madrid, Spain, VIII Jornadas de Informática y Electrónica Musical (JIEM 2001), Museo Nacional Centro de Arte Reina Sofia, July 2. A River From the Walls (Jane Rigler, flute)
  • Annandale-on-Hudson, NY, The Now and Present Flute Seminar, Bard College, mid-June. A River From the Walls (Patricia Spencer, flute)
  • Barcelona, Spain, Phonos Foundation “Concert Instrumental-Electroacustica VI,” SGAE Auditorium, May 23. A River From the Walls (Linda Antas, flute)
  • New York, NY, New York University New Music and Dance Ensemble concert, Frederick Loewe Theater, April 30. A River from the Walls (version for computer-generated sounds and improvisers)
  • New York, NY, New York University New Music and Dance Ensemble concert, Frederick Loewe Theater, February 26. A River From the Walls (Christine Perea, flute)
  • Charlottesville, VA, University of Virginia, “The Electric Flute” (recital), Old Cabell Hall, February 9. A River From the Walls (Patricia Spencer, flute)
  • Iowa City, IA, University of Iowa, Clapp Recital Hall, February 4. A River From the Walls (Kara DeRaad, flute)

 

2000

  • Columbus, OH, 2000 National Flute Association Convention, August. A River From the Walls (Linda Antas, flute)
  • Denton, TX, Society for Electroacoustic Music in the United States (SEAMUS) Conference, University of North Texas, March 10. A River From the Walls (Lisa Cella, flute)
  • Kansas City, MO, The Kansas City Festival of Electronic Music (Now known as Electronic Music Midwest), April 29. A River From the Walls (Linda Antas, flute)

 

1999

  • Berkeley, CA, Center for New Music and Audio Technology (CNMAT), University of California, CARTAH/CNMAT Exchange Concert, April 24. A River From the Walls (Linda Antas, flute) and Still, Yet, Again
  • San José, CA, SEAMUS 1999 Conference, March 28. Still, Yet, Again
  • Seattle, WA, Bumbershoot Festival, Krielsheimer Hall, September 3. A River From the Walls (Linda Antas, flute)
  • Seattle, WA, University of Washington’s Electroacoustic Music Festival, Meany Theater, April 27. Still, Yet, Again

 

1998

  • Udine, Italy, Contemporanea ‘98 Festival, Teatro San Giorgio, October 16. Still, Yet, Again
  • Santa Fe, NM, Santa Fe International Festival of Electroacoustic Music, April 3. Still, Yet, Again
  • Ann Arbor, MI, International Computer Music Conference, University of Michigan, Rackham Auditorium, October 5. Still, Yet, Again
  • Tacoma, WA, Pamela Vokolek in Recital, St. Mark’s Cathedral. Before the Dark (Pamela Vokolek, harp)
  • Seattle, WA, “ProConArt” concert, University of Washington, Meany Theater, late November. Before the Dark (Pamela Vokolek, harp)